«Crystal Singer», Anne McCaffrey
Author's Note
Crystal Singer is based on four stories originally published in Roger Elwood's Continuum series. Crystal Singer is considerably expanded from these stories, thanks to the technical assistance of Ron Massey, Langshot Stables, Surrey. His long explanations and careful notes permitted me to venture daringly where no man had gone before.
CHAPTER 1
Killashandra listened as the words dropped with leaden fatality into her frozen belly. She stared at the maestro's famous profile as his lips opened and shut around the words that meant the death of all her hopes and ambitions and rendered ten years of hard work and study a waste.
The maestro finally turned to face her. The genuine regret in his expressive eyes made him look older. The heavy singer's muscles in his jaw relaxed sorrowfully into jowls.
One day, Killashandra might remember those details. Just then, she was too crushed by overwhelming defeat to be aware of more than her terrible personal failure.
“But . . . but . . . how could you?”
“How could I what?” the maestro asked in surprise.
“How could you lead me on?”
“Lead you on? But, my dear girl, I didn't.”
«You did! You said – you said all I needed was hard work. Haven't I worked hard enough?»
“Of course you have worked hard.” Valdi was affronted. “My students must apply themselves. It takes years of hard work to develop the voice, to learn even a segment of the outworld repertoire that must be performed.”
«I've repertoire! I've worked hard and now – now you tell me I've no voice?»
Maestro Valdi sighed heavily, a mannerism that had always irritated Killashandra and was now insupportable. She opened her mouth to protest, but he raised a restraining hand. The habit of four years made her pause.
“You haven't the voice to be a top-rank singer, my dear Killashandra, but that does not preclude any of the many other responsible and fulfilling . . .”
"I won't be second rank. I want – I wanted" – and she had the satisfaction of seeing him wince at the bitterness in her voice – "to be a top-rank concert singer. You said I had – "
He held up his hand again. "You have the gift of perfect pitch, your musicality is faultless, your memory superb, your dramatic potential can't be criticized. But there is that burr in your voice which becomes intolerable in the higher register. While I thought it could be trained out, modified – " he shrugged his helplessness. He eyed her sternly. "Today's audition with completely impartial judges proved conclusively that the flaw is inherent in the voice. This moment is cruel for you and not particularly pleasant for me." He gave her another stern look, reacting to the rebellion in her stance. "I make few errors in judgment as to voice. I honestly thought I could help you. I cannot, and it would be doubly cruel of me to encourage you further as a soloist. No. You had best strengthen another facet of your potential."
“And what, in your judgment, would that be?”
He had the grace to blink at her caustic words, then looked her squarely in the eye. "You don't have the patience to teach, but you could do very well in one of the theater arts where your sympathy with the problems of a singer would stand you in good stead. No? You are a trained synthesizer? Hmmmm. Too bad, your musical education would be a real asset there." He paused. "Well, then, I'd recommend you leave the theater arts entirely. With your sense of pitch, you could be a crystal tuner or an aircraft and shuttle dispatcher or – "
“Thank you, maestro,” she said, more from force of habit than any real gratitude. She gave him the half bow his rank required and withdrew.
Slamming the panel shut behind her, Killashandra stalked down the corridor, blinded by the tears she'd been too proud to shed in the maestro's presence. Though she half wanted and half feared meeting a fellow student who would question her tears and commiserate with her disaster, she was inordinately relieved to reach her study cubicle without having encountered anyone. There she gave herself up to her misery, bawling into hysteria, past choking, until she was too spent to do more than gasp for breath.
If her body protested the emotional excess, her mind reveled in it. For she had been abused, misused, misguided, misdirected – and who knows how many of her peers had been secretly laughing at her dreams of glorious triumphs on the concert and opera stage? Killashandra had a generous portion of the conceit and ego required for her chosen profession, with no leavening of humility: she'd felt success and stardom were only a matter of time. Now she cringed at the vivid memory of her self-assertiveness and arrogance. She had approached the morning's audition with such confidence, the requisite commendations to continue as a solo aspirant a foregone conclusion. She remembered the faces of the examiners, so pleasantly composed; one man nodding absent-mindedly to the pulse of the test arias and lieder. She'd been scrupulous in tempi; they'd marked her high on that. How could they have looked so – so impressed? So encouraging?
How could they record such verdicts against her?
“The voice is unsuited to the dynamics of opera Unpleasant burr too audible.” “A good instrument for singing with orchestra and chorus where grating overtone will not be noticeable.” “Strong choral leader quality: student should be positively dissuaded from solo work.”